
THE DISQUIET
Guildhouse Collections Project
22 July – 13 September 2024
Flinders University Museum of Art
Featuring new work by Bin Bai, Stephanie Doddridge, Sue Kneebone, Olga Sankey and Truc Truong with Mandy Martin and Ann Newmarch from the FUMA collection
Curated by Suzanne Close
The Disquiet presents newly commissioned artworks by South Australian artists Bin Bai, Stephanie Doddridge, Sue Kneebone, Olga Sankey and Truc Truong.
In developing their ideas for this exhibition, these artists drew inspiration from FUMA’s collection of political posters focusing on the works of the Progressive Art Movement (PAM) – a multi-arts group established at Flinders University in the 1970s. Upholding Marxist-Leninist ideologies, PAM artists fiercely opposed American imperialism and advocated for the struggles of the working class. They eschewed art commodification, favouring prints and posters as immediate and accessible mediums for political expression.
Informed by PAM’s agendas, motivations and artistic processes, the five contemporary artists have explored the relationship of their own practices to complex and urgent issues of the 21st century. Themes such as inequality, environmental degradation, surveillance, fake news, consumer culture and the aftermath of colonisation, resonate strongly in their new commissions, reflecting the pervasive unease of our times.
Like their predecessors, today’s artists critique entrenched power structures with a personal urgency, revealing how the political and the personal are intertwined in navigating complex global challenges. By exposing forces that perpetuate injustice, contribute to environmental harm and enable the spread of misinformation, they compel us to confront these daunting challenges and call us to envision a more equitable and sustainable future.

Installation view of The Guildhouse Collections Project, The Disquiet at FUMA. Photography Anna Fenech

Installation view: Ann Newmarch, Two versions, 1974 and Olga Sankey, Safelight, and withIN/withOUT, 2024; Mandy Martin Big Boss, 1977, Don’t be taken in, 1975, Gallery I, 1977, Bin Bai, Just a Shell ‘til You Rebel, 2024. Photography by Anna Fenech at FUMA.

Sue Kneebone, The Omega Enigma, 2024, aluminium, mixed media, single-channel video 3:30 minutes; Mandy Martin, Stop Omega. 1974, screenprint, ink on paper. Photography by Anna Fenech at FUMA.

Sue Kneebone, The Omega Enigma, 2024, aluminium, mixed media, single-channel video 3:30 minutes. Photography by Anna Fenech at FUMA.

Sue Kneebone, The Omega Enigma, 2024, aluminium, mixed media, single-channel video 3:30 minutes. Photography by Anna Fenech at FUMA.

Stephanie Doddridge, Resistance is fertile, 2024. Photography by Anna Fenech at FUMA.

Stephanie Doddridge, Resistance is fertile, 2024. Photography by Anna Fenech at FUMA.

Sue Kneebone, The Omega Enigma, 2024, aluminium, mixed media, single-channel video 3:30 minutes. Photography by Anna Fenech at FUMA.

Stephanie Doddridge, Nourishing Hope 2024; Compost Colesworth, 2024;, Grow away gouging, 2024; Mandy Martin A lovely house in Springfield and a chauffeur-driven Jag. 1975. Photography by Anna Fenech at FUMA.

Stephanie Doddridge, Resistance is fertile, 2024. Photography by Anna Fenech at FUMA.

Stephanie Doddridge, Resistance is fertile (detail), 2024. Photography by Anna Fenech at FUMA.

Stephanie Doddridge, Grow away gouging 2024, Screen-printed seed packets in a steel basket. Photography by Anna Fenech at FUMA.

Stephanie Doddridge, Grow away gouging 2024, Screen-printed seed packets in a steel basket. Photography by Anna Fenech at FUMA.

Stephanie Doddridge, Nourishing Hope 2024, unique state vegetal print on cotton rag; Compost Colesworth, 2024, vegetable garden dyed tapestry, Grow away gouging 2024, Screen-printed seed packets in a steel basket. Photography by Anna Fenech at FUMA.

Stephanie Doddridge, Compost Colesworth (detail), 2024, vegetable garden dyed tapestry. Photography by Anna Fenech at FUMA.

Installation view: Ann Newmarch, Two versions, 1974 and Olga Sankey, Safelight, and withIN/withOUT, 2024. Photography by Anna Fenech at FUMA.

Installation view: Ann Newmarch, Two versions, 1974 and Olga Sankey, Safelight, 2024. Photography by Anna Fenech at FUMA.

Mandy Martin, The drive of the U.S. 1975; and Truc Truong, Mourning Call and Have a Supreem Day, 2024. Photography by Anna Fenech at FUMA.

Mandy Martin, The drive of the U.S. 1975; and Truc Truong, Mourning Call, 2024. Photography by Anna Fenech at FUMA.

Bin Bai, We Choose Community, 2024, FM inkjet print on cotton rag; Just a Shell ‘til You Rebel, 2024, single channel video, 16 minutes. Photography by Anna Fenech at FUMA.

Bin Bai, We Choose Community, 2024, FM inkjet print on cotton rag. Photography by Anna Fenech at FUMA.

Mandy Martin, The drive of the U.S. 1975; and Truc Truong, Mourning Call, 2024. Photography by Anna Fenech at FUMA.

Mandy Martin, The drive of the U.S. 1975; and Truc Truong, Mourning Call and Have a Supreem Day, 2024. Photography by Anna Fenech at FUMA.

Stephanie Doddridge, Nourishing Hope 2024, unique state vegetal print on cotton rag; Compost Colesworth, 2024, vegetable garden dyed tapestry, Grow away gouging 2024, Screen-printed seed packets in a steel basket. Photography by Anna Fenech at FUMA.